Инструкция BEHRINGER VIRTUAL AMPLIFICATION V-AMP PRO — страница 9

Инструкция

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Инструкция для BEHRINGER VIRTUAL AMPLIFICATION V-AMP PRO на русском языке. Документ можно использовать для ознакомления с информацией, относящейся к данной модели.

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V-AMP PRO

5. AMP/SPEAKER SIMULATION

4.2 Editing presets

Editing presets is fast and simple with the V-AMP PRO. One

option is to call up a preset you like and then start editing it. Select

an amp model by means of the AMPS encoder. The LED on the

preset button flashes (e.g. D) and signals that you have made a

change to the preset.

Now change the settings of the VOLUME, BASS, MID, TREBLE

and GAIN controls as you like. If you select an effect, you can

adjust its ratio in the overall sound using the EFFECTS control.

You then switch to EDIT mode by pressing the arrow keys

simultaneously. If you use buttons B - E to activate the DRIVE,

CABINETS, REVERB and NOISE GATE functions respectively

and then edit using the arrow keys, the value of the respective

parameter is shown in the display. To leave EDIT mode, briefly

press the TUNER button.

If you hold the TAP button down while using the TREBLE control,

you can raise or lower an additional high-frequency filter

(PRESENCE). This simulates the frequency-sensitive coupling of

tube amps.

+ Apart from compressor and auto wah, all the multi-

effects have a speed-based parameter. Say you

want to set the effect youve selected to the tempo

of your playback: just tap the TAP button twice in

time to the music and the effect tempo will match

the tempo of your piece.

4.3 Storing presets

To store your edited preset, hold down the preset button

required for approx. 2 seconds for the preset to be overwritten

(the corresponding LED lights up throughout).

+ You do not necessarily have to store your edited

preset in place of the original preset selected. If

you choose a different storage position, select the

preset bank you want using the arrow keys (BANK

UP and BANK DOWN). You can store your changes by

holding down the preset button for approx. two

seconds. For example, you can edit a preset

originally stored in bank 5, position D, and then store

it in bank 6, position A.

4.4 Discarding an edited preset/restoring a

single factory preset

If you have edited a preset and find that you dont like the

edited version, you can, of course, discard it. Lets assume

youve selected and then edited preset C (the corresponding

LED has lit up), but you would now like to return to the

configuration stored previously. Simply select another preset.

The next time you call up the preset, the temporary edited

version is discarded. After editing, you can also hold down the

two arrow keys until Pr appears in the display, which brings

back the factory preset that was originally stored there. How-

ever, you then have to save it again by holding down the

corresponding preset button for approx. two seconds.

4.5 Restoring all factory presets

All factory presets can be restored as follows: Hold down

buttons D and E and then switch on the V-AMP PRO. CL

appears in the display. Now release the two buttons and press

the two arrow keys simultaneously. This erases all the edited

presets you have stored and restores the factory presets.

5. AMP/SPEAKER SIMULATION

The very heart of your V-AMP PRO is its amp/speaker

simulation. The 32 simulation models can make work in a home

recording studio very much easier because it isnt necessary to

mike up the guitar amp. The V-AMP PRO makes it childs play

for you to choose one of the legendary guitar amps, be it for

Brit Pop, Blues, Heavy Metal or whatever. In addition, you can

tailor the sound of the respective amp to suit your ideas and

then connect it virtually to one of 15 speaker simulations

(cabinets). On top of all that, you can even choose digital

effect and reverb types for your virtual amp. See chapter 4

V-AMP PRO PRESETS for more details.

When you switch on the V-AMP PRO, it automatically loads the

last preset selected. The LED ring around the AMPS control

shows what amp has been selected. The corresponding LED

lights up. To select another amp simply turn the control. Use the

VOLUME, BASS, MID, TREBLE and GAIN controls to modify the

basic sound of the amp. Hold down the TAP button and turn the

TREBLE control to raise or lower an additional high-frequency

PRESENCE filter (see ).

As a rule, you will want to select an amp first, then a cabinet

and finally an effect. See chapter 4 for how to store your

modifications. To give you a better overview of the extensive

range of amp simulations on the V-AMP PRO, we have com-

piled the following descriptions of the different types of amp.

+ When you select an amp simulation, an appropriate

speaker simulation is activated automatically (see

tab. 4 on the separate sheet). Otherwise, the

authenticity of the sound could be affected by an

unsuitable cabinetespecially if you are using

headphones. Naturally, you can combine the amp

simulations with other cabinets according to taste.

5.1 Amp descriptions

AMERICAN BLUES: This virtual amp is modelled on the Fender

Bassman 4 x 10 Combo. Originally designed as a bass amp, it

soon became a standard amp of blues legends such as Steve

Ray Vaughan or Billy Gibbons due to its characteristic distortion.

As you would expect, it packs a solid punch in the bass range,

but is still flexible enough in the mid and treble ranges.

AND DELUXE: A synthesis of a 1960 Fender Blackface Deluxe

and a 50s Fender Bassman. The result is a crystal-clear sound

that still simlates the edge of the vintage amps. The V-AMP PRO

sound control gives you even greater scope than the EQ controls

on the originals.

MODERN CLASS A: This amp is characterized by its slight

distortion and sounds almost like hi-fi. It is modelled on the

Matchless Chieftain, a very expensive, hand-made amp.

CUSTOM CLASS A: The model for this simulation is the Budda

Twinmaster. This Class-A amp is renowned for its warm sound

combined with irresistible tube distortion. Although the original

amp does not have a mid control, we have given the

V-AMP PRO the capability of suiting the mid range to your taste.

TWEED COMBO: This was Jeff Becks favorite when he

recorded the albums Blow by Blow and Wired. This amp was

not actually designed for heavy distortion, but due to its low

power, it is ideal for uncompromising overdrive sound.

SMALL COMBO: This model is based on the 1960 Tweed

Champ. The main attraction of this amp simulation is when the

DRIVE function is used a lot. Although this amp was actually

designed for beginners on the guitar, it soon became a favorite

amp of many guitar afficionados. The reason for that was that it

produced an amazingly distorted sound even at low volume. The

Tweed Champ had a volume control, but no EQ control. If you

want to get the most authentic sound out of this amp, keep the

sound control on the V-AMP PRO in the mid-range.

DATA-MANFULL_V-AMP PRO_ENG_Rev_A.PMD 16.09.2002, 14:159

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