Инструкция BEHRINGER X32 COMPACT-TP — страница 22

Инструкция

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Инструкция для BEHRINGER X32 COMPACT-TP на русском языке. Документ можно использовать для ознакомления с информацией, относящейся к данной модели.

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22 X32 COMPACT DIGITAL MIXER User Manual

Mood Filter

The Mood Filter uses an LFO generator and an auto-envelope generator to control

a VCF (voltage-controlled lter), as well as a side chain function where the

channel B signal controls the envelope of channel A. When applied to electronic

instruments, the Mood Filter can be used to emulate the natural sound of

acoustic instruments. (Inspired by the MiniMoog)

This lter can be modulated with the signal’s envelope using the ENV MOD

(withpositive and negative amounts), ATTACK and RELEASE knobs, or the LFO

can modulate the lter. The WAVE knob selects between 7 dierent wave forms

– triangular, sine, saw plus, saw minus, ramp, square, and random. The PHASE

can be oset by up to 180 degrees. The SPEED knob adjusts the rate of the LFO

and the DEPTH adjusts the amount of LFO modulation. Adjust the resonance of

the lter until self-oscillation with the RESO(nance) knob. BASE adjusts the range

of the lter from 20 Hz to 15 kHz. The MODE switch selects between low pass

(LP), high-pass (HP), band-pass (BP) and Notch. Use the MIX knob to blend the

eected signal with the dry sound. With the 4 POLE switch engaged, therewill

be a steeper slope than the OFF (2 pole) setting. The DRIVE knob adjusts the

level and can also introduce an overdrive eect (as with real analogue lters)

ifpushed hard. In Sidechain mode, only the left input signal is processed and

fed to both outputs. The envelope of the right input signal can be used as a

modulationsource.

Delay + Chamber

Here we have combined Delay and Chamber reverb, so a single device can provide

a variety of delay settings, plus add just the right type and amount of reverb to

the selected signal. This device only uses one FX slot. (The Reverb is Inspired by

the Lexicon PCM 70)

Use the BALANCE knob to adjust the ratio between delay and reverb.

Lowfrequencies can be excluded with the LO CUT knob, and the MIX adjusts

how much of the eect is added to the signal. The TIME knob adjusts the delay

time for the left channel delay, and the PATTERN sets the delay ratio for the

right channel delay. Adjust the FEEDBACK and trim some high frequencies with

the FEED HC (high-cut) knob. The XFEED knob allows you to send the delay

sound to the reverb eect, so instead of running completely parallel, the reverb

eects the echos to a selected degree. The PREDELAY knob determines the

hesitation before the reverb aects the signal. The DECAY knob adjusts how

quickly the reverb fades. The SIZE controls how large or small the simulated

space is (room,cathedral, etc.). The DAMPING knob determines the decay of high

frequencies within the reverb tail.

Chorus + Chamber

Taking up only one FX slot, the Chorus + Chamber eect combines the shimmer

and doubling characteristics of a studio-grade Chorus with the sweet sound of a

traditional Chamber reverb. (Reverb is Inspired by the Lexicon PCM 70)

The BALANCE knob adjusts the balance between chorus and reverb. Low

frequencies can be excluded with the LO CUT knob, and the MIX knob adjusts

how much of the eect is added to the signal. SPEED, DELAY and DEPTH adjust

the rate, delay, and modulation depth of the chorus. The LFO PHASE between left

and right channel can be oset by up to 180 degrees, and WAVE adjusts the LFO

waveform from a sine wave to triangular wave. The PREDELAY knob determines

the hesitation before the reverb aects the signal. The DECAY knob adjusts how

quickly the reverb fades. The SIZE controls how large or small the simulated

space is (room, cathedral, etc.). The DAMPING knob determines the decay of high

frequencies within the reverb tail.

Flanger + Chamber

Add the mind-bending, lter-sweeping eect of a state-of-the-art Flanger to

the elegant sweetening of a traditional Chamber reverb—all in one FX slot.

(Reverbis Inspired by the Lexicon PCM 70)

The BALANCE knob adjusts the ratio between anger and reverb. Low frequencies

can be excluded with the LO CUT knob, and the MIX knob adjusts how much of

the eect is added to the signal. SPEED, DELAY and DEPTH adjust the rate, delay,

and modulation depth of the anger. FEEDback can be adjusted with positive and

negative amounts. The PHASE can be oset by up to 180 degrees. The PREDELAY

knob determines the hesitation before the reverb aects the signal. The DECAY

knob adjusts how quickly the reverb fades. The SIZE controls how large or small

the simulated space is (room, cathedral, etc.). The DAMPING knob determines the

decay of high frequencies within the reverb tail.

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